Lola Seaton: The Ends of Criticism
▻https://newleftreview.org/issues/II119/articles/lola-seaton-the-ends-of-criticism
In response to the recent debate between Francis Mulhern and Joseph North on the means and purposes of literary criticism, Lola Seaton examines the play of method and personal experience in Raymond Williams’s The Country and the City and its contemporary rebound in the ‘hauntology’ of K-Punk’s Mark Fisher.