• French resist effort to censor criticism of Zionism
    Ali Abunima, Electronic Intifada, le 4 mars 2019

    The French president’s move, praised by Israeli Prime Minister Benjamin Netanyahu, is part of a transatlantic campaign to weaponize often false accusations of anti-Semitism to smear and silence critics of Israel.

    #antisémitisme #antisionisme #Palestine #censure #Liberté_d'expression #BDS #criminalisation_des_militants

    Compilation sur le sujet :

    https://seenthis.net/messages/764700 via Dror@sinehebdo

  • Old Palestinian photos & films hidden in IDF archive show different history than Israeli claims

    Palestinian photos and films seized by Israeli troops have been gathering dust in the army and Defense Ministry archives until Dr. Rona Sela, a curator and art historian, exposed them. The material presents an alternative to the Zionist history that denied the Palestinians’ existence here, she says.

    The initial reaction is one of incredulity: Why is this material stored in the Israel Defense Forces and Defense Ministry Archive? The first item is labeled, in Hebrew, “The History of Palestine from 1919,” the second, “Paintings by Children Who Go to School and Live in a Refugee Camp and Aspire to Return to Palestine.” The third is, “Depiction of the IDF’s Treatment and Harsh Handling of Palestinians in the Territories.”

    Of all places, these three reels of 16-mm film are housed in the central archive that documents Israel’s military-security activities. It’s situated in Tel Hashomer, near the army’s National Induction Center, outside Tel Aviv.

    IDF archive contains 2.7 million photos, 38,000 films

    The three items are barely a drop in an ocean of some 38,000 films, 2.7 million photographs, 96,000 audio recordings and 46,000 maps and aerial photos that have been gathered into the IDF Archive since 1948, by order of Israel’s first prime minister and defense minister, David Ben-Gurion. However, a closer perusal shows that this particular “drop in the ocean” is subversive, exceptional and highly significant.

    The footage in question is part of a collection – whose exact size and full details remain unknown – of “war booty films” seized by the IDF from Palestinian archives in raids over the years, though primarily in the 1982 Lebanon War.

    Recently, however, following a persistent, protracted legal battle, the films confiscated in Lebanon, which had been gathering dust for decades – instead of being screened in cinematheques or other venues in Israel – have been rescued from oblivion, along with numerous still photos. The individual responsible for this development is Dr. Rona Sela, a curator and researcher of visual history at Tel Aviv University.

    For nearly 20 years, Sela has been exploring Zionist and Palestinian visual memory. She has a number of important revelations and discoveries to her credit, which she has published in the form of books, catalogs and articles. Among the Hebrew-language titles are “Photography in Palestine/Eretz-Israel in the ‘30s and ‘40s” (2000) and “Made Public: Palestinian Photographs in Military Archives in Israel” (2009). In March, she published an article in the English-language periodical Social Semiotics on, “The Genealogy of Colonial Plunder and Erasure – Israel’s Control over Palestinian Archives.”

    Now Sela has made her first film, “Looted and Hidden: Palestinian Archives in Israel,” an English-language documentary that surveys the fate of Palestinian photographs and films that were “captured” and deposited in Israeli archives. It includes heretofore unseen segments from films seized by the IDF from Palestinian archives in Beirut. These documentary records, Sela says, “were erased from consciousness and history” for decades.

    Sela begins journey in 1998

    Getting access to the films was not easy, Sela explains. Her archival journey began in 1998, when she was researching Zionist propaganda films and photos that sought to portray the “new Jew” – muscular, proudly tilling the soil – in contradistinction, according to the Zionist perception, to the supposedly degenerate and loutish Palestinian Arab.

    “After spending a few years in the Central Zionist Archive in Jerusalem and in other Zionist archives, researching the history of Zionist photography and the construction of a visual propaganda apparatus supporting the Zionist idea, I started to look for Palestinian visual representation as well, in order to learn about the Palestinian narrative and trace its origins and influence,” she says.

    That task was far more complicated than anyone could have imagined. In some of the Zionist films and photos, Sela was able to discern, often incidentally, episodes from Palestinian history that had “infiltrated” them, as she puts it. For example, in Carmel Newsreels (weekly news footage screened at local cinemas) from 1951, showing the settlement of Jews in Jaffa, demolished and abandoned Arab homes are clearly visible.

    Subsequently, Sela spotted traces and remnants of a genuine Palestinian visual archive occasionally cropping up in Israeli archives. Those traces were not immediately apparent, more like an elusive treasure concealed here and there beneath layers of restrictions, erasures and revisions.

    Khalil Rassass, father of Palestinian photojournalism

    Thus, one day she noticed in the archive of the pre-state Haganah militia, stills bearing the stamp “Photo Rissas.” Digging deeper, she discovered the story of Chalil Rissas (Khalil Rassass, 1926-1974), one of the fathers of Palestinian photojournalism. He’s unknown to the general public, whether Palestinian or Israel, but according to Sela, he was a “daring, groundbreaking photographer” who, motivated by a sense of national consciousness, documented the pre-1948 Palestinian struggle.

    Subsequently she found hundreds of his photographs, accompanied by captions written by soldiers or Israeli archive staff who had tried to foist a Zionist narrative on them and disconnect them from their original context. The source of the photographs was a Jewish youth who received them from his father, an IDF officer who brought them back with him from the War of Independence as booty.

    The discovery was unprecedented. In contrast to the Zionist propaganda images that exalted the heroism of the Jewish troops and barely referred to the Palestinians, Rissas’ photographs were mainly of Palestinian fighters. Embodying a proud Palestinian stance, they focused on the national and military struggle and its outcome, including the Palestinians’ military training and deployment for battle.

    “I realized that I’d come across something significant, that I’d found a huge cache of works by one of the fathers of Palestinian photography, who had been the first to give visual expression to the Palestinian struggle,” Sela recalls. “But when I tried to learn more about Chalil Rissas, I understood that he was a forgotten photographer, that no one knew the first thing about him, either in Israel or elsewhere.”

    Sela thereupon decided to study the subject herself. In 1999, she tracked down Rissas’ brother, Wahib, who was working as a photographer of tourists on the Temple Mount / Haram a-Sharif in Jerusalem’s Old City. He told her the story of Chalil’s life. It turned out that he had accompanied Palestinian troops and leaders, visually documenting the battles fought by residents of the Jerusalem area during the 1948 War of Independence. “He was a young man who chose the camera as an instrument for changing people’s consciousness,” Sela says.

    Ali Za’arur, forgotten Palestinian photographer

    Around 2007, she discovered the archive of another forgotten Palestinian photographer, Ali Za’arur (1900-1972), from Azzariyeh, a village east of Jerusalem. About 400 of his photos were preserved in four albums. They also depicted scenes from the 1948 war, in which Za’arur accompanied the forces of Jordan’s Arab Legion and documented the battle for the Old City of Jerusalem. He photographed the dead, the ruins, the captives, the refugees and the events of the cease-fire.

    In the Six-Day War of 1967, Za’arur fled from his home for a short time. When he returned, he discovered that the photo albums had disappeared. A relative, it emerged, had given them to Jerusalem Mayor Teddy Kollek as a gift. Afterward, the Jerusalem Foundation donated them to the IDF Archive. In 2008, in an unprecedented act, the archive returned the albums to Za’arur’s family. The reason, Sela surmises, is that the albums were captured by the army in battle. In any event, this was, as far as is known, a unique case.

    Sela took heart from the discoveries she’d made, realizing that “with systematic work, it would be possible to uncover more Palestinian archives that ended up in Israeli hands.”

    That work was three-pronged: doing archival research to locate Palestinian photographs and films that had been incorporated into Israeli archives; holding meetings with the Palestinian photographers themselves, or members of their families; and tracking down Israeli soldiers who had taken part in “seizing these visual spoils” and in bringing them to Israel.

    In the course of her research Sela met some fascinating individuals, among them Khadijeh Habashneh, a Jordan-based Palestinian filmmaker who headed the archive and cinematheque of the Palestinian Cinema Institute. That institution, which existed from the end of the 1960s until the early ‘80s, initially in Jordan and afterward in Lebanon, was founded by three pioneering Palestinian filmmakers – Sulafa Jadallah, Hani Jawhariyyeh and Mustafa Abu Ali (Habashneh’s husband) – who sought to document their people’s way of life and national struggle. Following the events of Black September in 1970, when the Jordanian army and the Palestine Liberation Organization fought a bloody internecine war, the filmmakers moved to Lebanon and reestablished the PCI in Beirut.

    Meeting with Habashneh in Amman in 2013, Sela heard the story of the Palestinian archives that disappeared, a story she included in her new documentary. “Where to begin, when so much material was destroyed, when a life project falls apart?” Habashneh said to Sela. “I can still see these young people, pioneers, bold, imbued with ideals, revolutionaries, who created pictures and films and documented the Palestinian revolution that the world doesn’t want to see. They refused to be faceless and to be without an identity.”

    The archive established by Habashneh contained forgotten works that documented the Palestinians’ suffering in refugee camps, the resistance to Israel and battles against the IDF, as well as everyday life. The archive contained the films and the raw materials of the PCI filmmakers, but also collected other early Palestinian films, from both before and after 1948.

    Spirit of liberation

    This activity reflects “a spirit of liberation and revolt and the days of the revolution,” Habashneh says in Sela’s film, referring to the early years of the Palestinian national movement. That spirit was captured in underground photographs and with a minimal budget, on film that was developed in people’s kitchens, screened in tents in refugee camps and distributed abroad. Women, children, fighters, intellectuals and cultural figures, and events of historic importance were documented, Habashneh related. “As far as is known, this was the first official Palestinian visual archive,” Sela notes.

    In her conversation with Sela, Habashneh nostalgically recalled other, better times, when the Palestinian films were screened in a Beirut cinematheque, alongside other works with a “revolutionary spirit,” from Cuba, Chile, Vietnam and elsewhere. “We were in contact with filmmakers from other countries, who saw the camera as an instrument in the hands of the revolution and the people’s struggle,” she recalled.

    “Interesting cultural cooperation developed there, centering around revolutionary cinema,” Sela points out, adding, “Beirut was alive with an unprecedented, groundbreaking cultural flowering that was absolutely astonishing in terms of its visual significance.”

    IDF confiscates film archive

    But in 1982, after the IDF entered Beirut, that archive disappeared and was never seen again. The same fate befell two films made by Habashneh herself, one about children, the other about women. In Sela’s documentary, Habashneh wonders aloud about the circumstances in which the amazing collection disappeared. “Is our fate to live a life without a past? Without a visual history?” she asks. Since then, she has managed to reconstruct a small part of the archive. Some of the films turned up in the United States, where they had been sent to be developed. Copies of a few others remained in movie theaters in various countries where they were screened. Now in her seventies, Habashneh continues to pursue her mission, even though, as she told Sela during an early conversation, “the fate of the archive remains a puzzle.”

    What Habashneh wasn’t able to accomplish beginning in 1982 as part of a worldwide quest, Sela managed to do over the course of a few years of research in Israel. She began by locating a former IDF soldier who told her about the day on which several trucks arrived at the building in Beirut that housed a number of Palestinian archives and began to empty it out. That testimony, supported by a photograph, was crucial for Sela, as it corroborated the rumors and stories about the Palestinian archives having been taken to Israel.

    The same soldier added that he had been gripped by fear when he saw, among the photos that were confiscated from the archive, some that documented Israeli soldiers in the territories. He himself appeared in one of them. “They marked us,” he said to Sela.

    Soldiers loot Nashashibi photos & possessions, take photo from corpse

    Another former soldier told Sela about an unusual photo album that was taken (or looted, depending on one’s point of view) from the home of the prominent Nashashibi family in Jerusalem, in 1948. The soldier added that his father, who had served as an IDF officer in the War of Independence, entered a photography studio and made off with its archive, while other soldiers were busy looting pianos and other expensive objects from the Nashashibis. Another ex-soldier testified to having taken a photo from the corpse of an Arab. Over time, all these images found their way to archives in Israel, in particular the IDF Archive.

    Sela discovers IDF archive

    In 2000, Sela, buoyed by her early finds, requested permission from that archive to examine the visual materials that had been seized by the army in the 1980s. The initial response was denial: The material was not in Israel’s hands, she was told.

    “But I knew what I was looking for, because I had soldiers’ testimonies,” she says now, adding that when she persisted in her request, she encountered “difficulties, various restrictions and the torpedoing of the possibility of perusing the material.”

    The breakthrough came when she enlisted the aid of attorneys Michael Sfard and Shlomi Zacharia, in 2008. To begin with, they received word, confirmed by the Defense Ministry’s legal adviser, that various spoils taken in Beirut were now part of the IDF Archive. However, Sela was subsequently informed that “the PLO’s photography archive,” as the Defense Ministry referred in general to photographic materials taken from the Palestinians, is “archival material on matters of foreign affairs and security, and as such is ‘restricted material’ as defined in Par. 7(a) of the Archives Regulations.”

    Then, one day in 2010, Sela received a fax informing her that Palestinian films had been found in the IDF Archive, without elaboration, and inviting her to view them. “There were a few dozen segments from films, and I was astonished by what I saw,” she says. “At first I was shown only a very limited amount of footage, but it was indicative of the whole. On the basis of my experience, I understood that there was more.”

    A few more years of what Sela terms “endless nagging, conversations and correspondence” passed, which resulted in her being permitted to view dozens of segments of additional films, including some that apparently came from Habashneh’s archive. Sela also discovered another Palestinian archive that had been seized by the IDF. Established under the aegis of the PLO’s Cultural Arts Section, its director in the 1970s was the Lod-born painter and historian Ismail Shammout (1930-2006).

    One of the works in that collection is Shammout’s own film “The Urgent Call,” whose theme song was written and performed by the Palestinian singer Zainab Shathat in English, accompanying herself on the guitar. “The film was thought to be lost until I found it in the IDF Archive,” says Sela, who describes “The Urgent Call” as “a cry about the condition of Palestine, its sons and its daughters.”

    Viewing it takes one back in time to the late 1960s and early ‘70s, when the cinema of the Palestinian struggle briefly connected with other international revolutionary film movements.

    Legendary French filmmaker Jean-Luc Godard

    For example, in 1969 and 1970 Jean-Luc Godard, the legendary filmmaker of the French New Wave in cinema, visited Jordan and Lebanon several times with the Dziga Vertov Group of French filmmakers (named after the Soviet pioneer documentarian of the 1920s and ‘30s), who included filmmaker Jean-Pierre Gorin, who worked with Godard in his “radical” period. They came to shoot footage in refugee camps and in fedayeen bases for Godard’s film “Until Victory.” Habashneh told Sela that she and others had met Godard, assisted him and were of course influenced by his work. [Ed. note: Godard’s work on Palestine caused him to be accused of antisemitism by the Washington Post’s Richard Cohen and others. “In Hollywood there is no greater sin,” the Guardian reported.]

    Along with “The Urgent Call” – excerpts from which are included in her “Looted and Hidden” documentary – Sela also found another Shammout work in the IDF Archive. Titled “Memories and Fire,” it chronicles 20th-century Palestinian history, “from the days depicting the idyllic life in Palestine, via the documentation of refugeehood, to the documentation of the organizing and the resistance. To use the terms of the Palestinian cinema scholar and filmmaker George Khleifi, the aggressive fighter took the place of the ill-fated refugee,” she adds.

    Sela also found footage by the Iraqi director Kais al-Zubaidi, who worked for a time in the PLO’s Cultural Arts Section. His films from that period include “Away from Home” (1969) and “The Visit” (1970); in 2006 he published an anthology, “Palestine in the Cinema,” a history of the subject, which mentions some 800 films that deal with Palestine or the Palestinian people. [Ed. note: unfortunately it appears this book has never been translated into English.]

    IDF seals the archive for decades

    Some of the Palestinian movies in the IDF Archive bear their original titles. However, in many other cases this archival material was re-cataloged to suit the Israeli perspective, so that Palestinian “fighters” became “gangs” or “terrorists,” for example. In one case, a film of Palestinians undergoing arms training is listed as “Terrorist camp in Kuwait: Distribution of uniforms, girls crawling with weapons, terrorists marching with weapons in the hills, instruction in laying mines and in arms.”

    Sela: “These films and stills, though not made by Jewish/Israeli filmmakers or military units – which is the central criterion for depositing materials in the Israeli army archive – were transferred to the IDF Archive and subordinated to the rules of the State of Israel. The archive immediately sealed them for many decades and cataloged them according to its terminology – which is Zionist, Jewish and Israeli – and not according to the original Palestinian terminology. I saw places where the word ‘terrorists’ was written on photographs taken by Palestinians. But after all, they do not call themselves as such. It’s part of terminological camouflaging, which subordinated their creative work to the colonial process in which the occupier controls the material that’s captured.”

    Hidden Palestinian history

    Sela’s discoveries, which are of international importance, are not only a research, documentation and academic achievement: They also constitute a breakthrough in regard to the chronicling of Palestinian history. “Palestinian visual historiography lacks many chapters,” she observes. “Many photographs and archives were destroyed, were lost, taken as spoils or plundered in the various wars and in the course of the Israeli-Palestinian conflict.”

    From her point of view, the systematic collecting of Palestinian visual materials in the IDF Archive “makes it possible to write an alternative history that counteracts the content created by the army and the military archive, which is impelled by ideological and political considerations.” In the material she found in the army archive, she sees “images that depict the history of the Palestinian people and its long-term ties to this soil and this place, which present an alternative to the Zionist history that denied the Palestinians’ existence here, as well as their culture and history and the protracted tragedy they endured and their national struggle of many years.”

    The result is an intriguing paradox, such as one often finds by digging deep into an archive. The extensive information that Sela found in the IDF Archive makes it possible to reconstruct elements of the pre-1948 existence of the Palestinians and to help fill in the holes of the Palestinian narrative up until the 1980s. In other words, even if Israel’s intention was to hide these items and to control the Palestinians’ historical treasures, its actions actually abet the process of preservation, and will go on doing so in the future.

    Earlier groundbreaking discovery – confiscated Palestinians books & libraries

    Sela’s research on visual archival materials was preceded by another groundbreaking study – dealing with the written word – conducted by Dr. Gish Amit, an expert on the cultural aspects of Zionism at Ben-Gurion University of the Negev. Amit chronicled the fate of Palestinian books and libraries that, like the photographs and films Sela found, ended up in Israeli archives – including in the National Library in Jerusalem.

    In his 2014 book, “Ex-Libris: Chronicles of Theft, Preservation, and Appropriating at the Jewish National Library” (Hebrew), Amit trenchantly analyzes the foredoomed failure of any attempt to conceal and control the history of others. According to him, “an archive remembers its forgettings and erasures,” “documents injustice, and thus makes it possible to trace its paths” and “paves a way for forgotten histories which may, one day, convict the owners” of the documents.

    However, Amit also sees the complexity of this story and presents another side of it. Describing the operation in which the Palestinian books were collected by Israeli soldiers and National Library personnel during the War of Independence, he raises the possibility that this was actually an act involving rescue, preservation and accessibility: “On the one hand, the books were collected and not burned or left in the abandoned houses in the Arab neighborhoods that had been emptied of their inhabitants. Had they not been collected their fate would have been sealed — not a trace of them would remain,” he writes, adding, that the National Library “protected the books from the war, the looting and the destruction, and from illegal trade in manuscripts.”

    According to the National Library, it is holding about 6,500 Palestinian books and manuscripts, which were taken from private homes whose owners left in 1948. The entire collection is cataloged and accessible to the general public, but is held under the responsibility of the Custodian of Absentees’ Property in the Finance Ministry. Accordingly, there is no intention, in the near future, of trying to locate the owners and returning the items.

    Israeli control over history

    Sela views the existence of these spoils of war in Israel as a direct expression of the occupation, which she defines, beyond Israel’s physical presence in the territories, as “the control of history, the writing of culture and the shaping of identity.” In her view, “Israel’s rule over the Palestinians is not only geographic but extends also to culture and consciousness. Israel wants to erase this history from the public consciousness, but it is not being successful, because the force of the resistance is stronger. Furthermore, its attempts to erase Palestinian history adversely affect Israel itself in the end.”

    At this point, Sela resorts to a charged comparison, to illustrate how visual materials contribute to the creation of personal and collective identity. “As the daughter of Holocaust survivors,” she says, “I grew up in a home without photographic historical memory. Nothing. My history starts only with the meeting of my parents, in 1953. It’s only from then that we have photos. Before that – nothing.

    “I know what it feels like when you have no idea what your grandmother or grandfather looked like, or your father’s childhood,” she continues. “This is all the more true of the history of a whole people. The construction of identity by means of visual materials is very meaningful. Many researchers have addressed this topic. The fact is that Zionist bodies made and are continuing to make extensive and rational use of [such materials too] over a period that spans decades.”

    Sela admits that there is still much to be done, but as far as she’s concerned, once a crack appeared in the wall, there was no turning back. “There is a great deal of material, including hundreds of films, that I haven’t yet got to,” she notes. “This is an amazing treasure, which contains information about the cultural, educational, rural and urban life of the Palestinian people throughout the 20th century – an erased narrative that needs to be restored to the history books,” she adds.

    Asked what she thinks should be done with the material, she asserts, “Of course it has to be returned. Just as Israel is constantly fighting to retrieve what the Nazis looted from Jews in the Holocaust. The historical story is different, but by the same criterion, practice what you preach. These are cultural and historical materials of the Palestinian people.”

    The fact that these items are being held by Israel “creates a large hole in Palestinian research and knowledge,” Sela avers. “It’s a hole for which Israel is responsible. This material does not belong to us. It has to be returned to its owners. Afterward, if we view it intelligently, we too can come to know and understand highly meaningful chapters in Palestinian history and in our own history. I think that the first and basic stage in the process of conciliation is to know the history of the Other and also your own history of controlling the Other.”

    Defense Ministry response

    A spokesperson for the Defense Ministry, which was asked to comment on the holdings in the IDF Archive, the archive contains 642 “war booty films,” most of which deal with refugees and were produced by the UNRWA (the United Nations refugee relief agency) in the 1960s and 1970s. The ministry also noted that 158 films that were seized by the IDF in the 1982 Lebanon War are listed in orderly fashion in the reading-room catalog and are available for perusal by the general public, including Arab citizens and Palestinians.

    As for the Palestinian photographs that were confiscated, the Defense Ministry stated that there is no orderly record of them. There are 127 files of photographs and negatives in the archive, each of which contains dozens of photographs, probably taken between the 1960s and the 1980s, on a variety of subjects, including visits of foreign delegations to PLO personnel, tours of PLO delegations abroad, Palestinian art and heritage, art objects, traditional attire and Palestinian folklore, factories and workshops, demonstrations, mass parades and rallies held by the PLO, portraits of Arab personalities and PLO symbols.

    The statement adds that a few months ago, crates were located that were stamped by their original owners, “PLO/Department of Information and National Guidance and Department of Information and Culture,” during the evacuation of the archive’s storerooms in the Tzrifin base.

    #historicisation #Israël #Palestine #photographie #films #archive #histoire #Khalil_Rassass #Ali_Za’arur
    ping @reka @sinehebdo @albertocampiphoto

    https://seenthis.net/messages/762792 via CDB_77

  • A Jérusalem, des Palestiniens expulsés de chez eux au profit de colons israéliens AFP - 17 Février 2019 - RTBF

    Une famille palestinienne a été expulsée dimanche de sa maison dans la Vieille ville de Jérusalem au profit de colons israéliens, a constaté un photographe de l’AFP.

    Des affrontements ont éclaté entre les habitants du quartier, situé dans la partie palestinienne de Jérusalem, et la police peu après qu’une dizaine de colons israéliens ont investi la bâtisse, protégés par les forces de l’ordre.

    La maison était habitée par sept membres de la famille Abou Assab qui avait reçu un ordre d’éviction lui laissant jusqu’au 12 février pour quitter les lieux, selon l’ONG israélienne Ir Amim. Les Abou Assab y vivaient depuis les années 1960, d’après l’ONG.

    Le bâtiment appartenait à une famille juive avant la guerre de 1948, date de la création d’Israël, selon l’ONG israélienne La Paix Maintenant, qui lutte contre la colonisation par Israël des Territoires palestiniens.

    Expulsée de leur maison dans un autre quartier de Jérusalem en 1948, la famille Abou Assab s’était alors installée dans cette maison dont les habitants juifs avaient fui, a indiqué l’ONG dans un communiqué.

    Des policiers israéliens arrêtent un membre de la famille palestinienne Abou Assab, qui proteste contre son éviction de leur maison dans la Vieille ville de Jérusalem-est, le 17 février 2019 - © AHMAD GHARABLI

    Retour des Juifs
    Grâce à une loi israélienne permettant le retour des Juifs dans leurs propriétés à Jérusalem-Est, partie palestinienne de la ville occupée et annexée par Israël, des colons israéliens ont pu s’installer après un recours en justice au nom de la famille juive propriétaire avant 1948, selon l’ONG.

    L’annexion de Jérusalem-Est n’a jamais été reconnue par la communauté internationale. D’après la loi israélienne, les Palestiniens ne peuvent pas réclamer les propriétés qu’ils ont abandonnées ou dont ils ont été chassés en 1948.

    « On habite là. C’est ma maison, c’est toute ma vie », s’est écriée devant les journalistes Rania Abou Assab, tandis que les colons, surplombant la foule, hissaient déjà des drapeaux israéliens tout autour de la terrasse.

    « Ils ont tout pris », a-t-elle ajouté avant de s’effondrer en pleurs, ses effets personnels se trouvant toujours dans le domicile auquel elle ne peut plus accéder.

    Mme Abou Assab a indiqué que son fils de 15 ans et son mari avaient été arrêtés après leur éviction. La police israélienne a confirmé l’arrestation de deux personnes pour « avoir perturbé les activités de la police », ne précisant pas si elles avaient été libérées depuis.

    A Jérusalem-Est, « presque toutes les propriétés qui appartenaient à des Juifs avant 1948 sont menacées » de voir leurs occupants palestiniens expulsés, a indiqué Hagit Ofran de La Paix Maintenant, assurant que des dizaines de maisons dans la Vieille ville avaient fini par aboutir depuis les années 1980 aux mains de colons israéliens.

    A Jérusalem-Est, environ 70 familles palestiniennes dans le quartier de Sheikh Jarrah et quelque 700 personnes dans le quartier de Silwan sont menacées d’expulsion car leurs propriétés appartenaient à des Juifs avant 1948,selon Mme Ofran.

    #palestine #jérusalem #Jérusalem-Est #israël #colonisation #israel #colonisation #apartheid

    https://seenthis.net/messages/760802 via BCE 106,6 Mhz

  • Un documentaire réalisé par Rachel Leah Jones et Philippe Bellaïche sur l’avocate israélienne Lea Tsemel a été présenté au festival de Sundance le mois dernier :

    Larry Gleeson, Hollywood Glee, le 1er février 2019


    #Palestine #Lea_Tsemel #Avocate #Justice #Injustice #documentaire

    https://seenthis.net/messages/758607 via Dror@sinehebdo

  • Une affaire relativement petite et technique, mais qui démontre le recul des anti-BDS aux États-Unis, pourtant pays leader en la matière :

    Les sénateurs américains rejettent la loi anti-BDS et pro-Israël
    Maannews, le 10 janvier 2019

    Traduction de :

    US Senators vote down anti-BDS, pro-Israeli bill
    Maannews, le 10 janvier 2019

    A regrouper avec un autre recul aux Etats-Unis :

    Former legislator in Maryland sues state over anti-BDS law
    Middle East Eye, le 9 janvier 2019

    #BDS #USA #Palestine

    https://seenthis.net/messages/752002 via Dror@sinehebdo

  • La solidarité professionnelle avec la Palestine : un impératif pour la Santé Mentale**

    Je ne parle pas seulement du chantage politique que représentent les récentes coupes par l’administration américaine de millions de dollars destinés aux hôpitaux de Jérusalem-Est, et de l’arrêt du financement des services d’éducation et de santé de l’UNRWA, mais également des réalités quotidiennes avec de sombres possibilités de travail, un manque de direction politique, la menace des détentions pour raisons politiques qui hante notre jeunesse et les expériences omniprésentes de morts violentes et de deuil. Des siècles d’oppression politique ont produit une cascade de dommages à l’identité collective et à la personnalité des individus.



  • Gaza totalement clôturée, le but du bagne à ciel ouvert est atteint par les sionistes

    Israël est sur le point de terminer l’édifice qui complète le blocus général de Gaza. Celui qui obstrue tout accès ou sortie par la mer à l’enclave qui devient ainsi un vrai bagne pour quelques 2 millions d’âmes. Dernier encerclement après les murailles, les fermetures des frontières et les barbelés... Un mur de rochers planté sur le fond marin surmonté de détecteurs et sur lequel une clôture intelligente de 20 pieds de haut ainsi que d’un brise-lames, tel est le dernier obstacle dressé par l’occupant (...)

    international, suivi, grand événement, internationaux, monde, continent, Etats, conflits, paix,

    / Netanyahou, François Hollande, Toulouse, Canard Enchaîné, Israël, élections , censure, presse, journaux, dictature, expressions, liberté, #économie,_politique,_arts,_corruption,_opposition,_démocratie, (...)

    #international,suivi,_grand_événement,_internationaux,_monde,_continent,_Etats,_conflits,_paix, #Netanyahou,_François_Hollande,_Toulouse,_Canard_Enchaîné,_Israël,_élections #censure,presse,_journaux,_dictature,_expressions,_liberté #Obama,_USA,_Israël,_Proche-Orient,_Palestine #Palestine

  • Gaza totalement clôturée, le but du bagne à ciel ouvert est atteint par les sionistes

    Israël est sur le point de terminer l’édifice qui complète le blocus général de Gaza. Celui qui obstrue tout accès ou sortie par la mer à l’enclave qui devient ainsi un vrai bagne pour quelques 2 millions d’âmes. Dernier encerclement après les murailles, les fermetures des frontières et les barbelés... Un mur de rochers planté sur le fond marin surmonté de détecteurs et sur lequel une clôture intelligente de 20 pieds de haut ainsi que d’un brise-lames, tel est le dernier obstacle dressé par l’occupant (...)

    international, suivi, grand événement, internationaux, monde, continent, Etats, conflits, paix,

    / Netanyahou, François Hollande, Toulouse, Canard Enchaîné, Israël, élections , censure, presse, journaux, dictature, expressions, liberté, #économie,_politique,_arts,_corruption,_opposition,_démocratie, (...)

    #international,suivi,_grand_événement,_internationaux,_monde,_continent,_Etats,_conflits,_paix, #Netanyahou,_François_Hollande,_Toulouse,_Canard_Enchaîné,_Israël,_élections #censure,presse,_journaux,_dictature,_expressions,_liberté #Obama,_USA,_Israël,_Proche-Orient,_Palestine #Palestine

  • Palestine Under Occupation : One Village’s Resistance - YouTube

    Très bons reportages sur l’occupation israélienne de la Palestine, autour de la famille Tamini

    PART 1


    PART 2


    Night raids, child arrests and open fire. Welcome to daily life in this tiny village in the occupied West Bank, home to Palestinian teen icon Ahed Tamimi. Collected form AJ+

    #palestine #ocupation #démolition #colonisation #résistance #tamini

    https://seenthis.net/messages/748662 via Reka

  • Les États-Unis et Israël quittent l’Unesco ce lundi soir
    Gwendal Lavina, Le Figaro, le 31 décembre 2018

    Les deux pays exécutent une décision annoncée en octobre 2017 en réponse à plusieurs résolutions de l’organisation qu’ils jugent « anti-israéliennes ». L’Unesco regrette ces deux retraits mais minimise leurs impacts.

    Certains observateurs craignent qu’au-delà d’affaiblir politiquement l’Unesco, ces deux retraits entament sérieusement le budget de l’organisation. Un diplomate bien informé balaye cet argument de la main et rappelle que les États-Unis et Israël ne payent plus leur cotisation obligatoire depuis 2011. Leur dette auprès de l’organisation s’élève ainsi à 620 millions de dollars pour les États-Unis et 10 millions de dollars pour Israël.

    Feuilleton à plusieurs épisodes :

    #UNESCO #USA #israel #Palestine #ONU #dette #escrocs #voleurs

    https://seenthis.net/messages/748168 via Dror@sinehebdo

  • Le géant bancaire HSBC se désengage d’un fabricant d’armes israélien suite aux pressions des militants des droits humains
    War on Want, le 27 décembre 2018

    Plus de 24 000 personnes ont communiqué par mail avec HSBC pour s’inquiéter de ses investissements dans Elbit Systems et d’autres sociétés vendant des armes à l’armée israélienne, et 40 succursales de la HSBC au Royaume-Uni ont été piquetées chaque mois pour la même raison.

    « Toutefois, HSBC continue de traiter avec plus d’une douzaine de sociétés vendant du matériel et des technologies militaires, notamment Caterpillar, dont les bulldozers sont utilisés pour la démolition de maisons et de biens palestiniens, et BAE Systems, dont les armes sont utilisées pour les crimes de guerre par Israël, l’Arabie saoudite et d’autres régimes répressifs. »

    #Palestine #HSBC #BDS #Désinvestissement #Elbit

    https://seenthis.net/messages/747504 via Dror@sinehebdo

  • Inside Banksy’s The Walled Off Hotel in Bethlehem - The National

    ... unlike Girl with Balloon and Dismaland, Banksy appears uncharacteristically reluctant to follow through with the destruction of his Bethlehem creation. Some 21 months later, it seems to have become a permanent feature of this small city’s tourist landscape.

    Given that #Banksy is notoriously elusive, it is difficult to be sure why he has made an exception for The Walled Off Hotel. But given his well-known sympathy for the Palestinian cause, a few reasons suggest themselves. One is that, were he to abandon the hotel, it would delight the Israeli military authorities. They would love to see The Walled Off Hotel disappear – and with it, a major reason to focus on a particularly ugly aspect of Israel’s occupation. In addition, dismantling the hotel might echo rather uncomfortably Israel’s long-standing policy of clearing Palestinians off their land – invariably to free-up space for Jewish settlement.

    Israel strenuously claims the wall was built to aid security by keeping out Palestinian “terrorists”. But the wall’s path outside The Walled Off Hotel seals off Bethlehem from one of its major holy sites, Rachel’s Tomb, and has allowed Jewish religious extremists to take it over.

    A rare success story
    In sticking by the hotel, Banksy appears to have been influenced by Palestinian “#sumud”, Arabic for steadfastness, a commitment to staying put in the face of Israeli pressure and aggression. But significantly, there is a practical consideration: The Walled Off Hotel has rapidly become a rare success story in the occupied territories, boosting the struggling Palestinian economy. That has occurred in spite of Israel’s best efforts to curb tourism to Bethlehem, including by making a trip through the wall and an Israeli checkpoint a time-consuming and discomfiting experience.

    #Palestine #Mur

    https://seenthis.net/messages/746213 via Kassem

  • La réaction du collectif Black-Palestinian Solidarity (Lauryn Hill, Danny Glover, DAM, Omar Barghouti, Alice Walker, Angela Davis, Yousef Erakat, Annemarie Jacir, Boots Riley, Dr. Cornel West et plein d’autres) :

    When I see them, I see us
    Black-Palestinian Solidarity, le 14 octobre 2015

    #Palestine #Noirs_américains

    https://seenthis.net/messages/418167 via Dror@sinehebdo

  • *Couper des oliviers palestiniens, pour s’emparer, demain, de terres*

    Une vidéo du 4 octobre 2018 évoque la scène d’une récolte d’olives. Après tout, c’est la saison. Deux jeunes, dont au moins un est mineur, tiennent une grande bâche. Le plus petit d’entre eux tient un bâton et donne des coups à un arbre [pour faire tomber les olives], mais plutôt que de récolter les olives, les coups cassent les branches de l’olivier.



  • L’Algérie expulse 60 Palestiniens entrés illégalement sur son territoire

    L’Algérie a expulsé une soixantaine de Palestiniens, entrés illégalement dans le pays, selon l’agence Shehab. C’est en s’exprimant eux mêmes d’un centre d’hébergement appelé Baraka « بريكة », dans la wilaya (département) de Tamenrasset en plein sud du Sahara, aux confins nord avec le Sahel africain. Source de ce sujet : ICI Les autorités algériennes se sont montrés cette fois rigoureuses. Parce qu’habituellement la complaisance de fraternité était de mise dans une telle situation, notamment quand il s’agit (...)


    / #économie,_politique,_arts,_corruption,_opposition,_démocratie, #fait_divers,_société,_fléau,_délinquance,_religion,_perdition, Afrique, Monde Arabe, islam, Maghreb, Proche-Orient,, chômeurs, (...)

    #Afrique,Monde_Arabe,_islam,_Maghreb,_Proche-Orient, #chômeurs,_emploi,_social,_syndicat,_revendication,_jeunesse,_travailleurs,_chômage #Maghreb,_Algérie,_Tunisie,_Maroc,_Libye,_Africa,_population,_société #Palestine

  • L’Algérie expulse 60 Palestiniens entrés illégalement sur son territoire

    L’Algérie a expulsé une soixantaine de Palestiniens, entrés illégalement dans le pays, selon l’agence Shehab. C’est en s’exprimant eux mêmes d’un centre d’hébergement appelé Baraka « بريكة », dans la wilaya (département) de Tamenrasset en plein sud du Sahara, aux confins nord avec le Sahel africain. Source de ce sujet : ICI Les autorités algériennes se sont montrés cette fois rigoureuses. Parce qu’habituellement la complaisance de fraternité était de mise dans une telle situation, notamment quand il s’agit (...)


    / #économie,_politique,_arts,_corruption,_opposition,_démocratie, #fait_divers,_société,_fléau,_délinquance,_religion,_perdition, Afrique, Monde Arabe, islam, Maghreb, Proche-Orient,, chômeurs, (...)

    #Afrique,Monde_Arabe,_islam,_Maghreb,_Proche-Orient, #chômeurs,_emploi,_social,_syndicat,_revendication,_jeunesse,_travailleurs,_chômage #Maghreb,_Algérie,_Tunisie,_Maroc,_Libye,_Africa,_population,_société #Palestine

  • Opération secrète ratée à Gaza : la rare mise en garde de l’armée israélienne - Moyen-Orient - RFI

    La mise en garde est suffisamment rare pour être soulignée. Ce 22 novembre, l’armée israélienne a lancé une mise en garde aux médias et au public au sujet de la diffusion d’informations sur une opération secrète de l’armée israélienne menée le 11 novembre dernier. L’opération avait mal tourné. Sept Palestiniens avaient perdu la vie ainsi qu’un lieutenant-colonel israélien, ce qui aurait pu causer une nouvelle guerre à Gaza.

    Le censeur de l’armée israélienne adresse une mise en garde à l’attention des médias et du public. « Toute information, aussi inoffensive qu’elle puisse paraître à celui qui la diffuserait, peut mettre en danger des vies et menacer la sécurité de l’Etat » explique-t-il dans un communiqué.

    Les autorités israéliennes pointent ainsi du doigt les brigades Ezzedine al-Qassam, la branche armée du Hamas, qui ont diffusé ce 22 novembre les photos de huit personnes, dont deux femmes, qui auraient participé à une opération secrète. En plus de ces portraits, des photos d’un minibus et d’un camion utilisé par l’armée israélienne ont également été diffusées.

    Sans préciser si le matériel publié par le Hamas, le mouvement qui contrôle Gaza, est vrai ou faux, le censeur de l’armée israélienne demande que cesse autant que possible la diffusion de ces images.

    Nouveau rapport de force entre Gaza et Israël ? La résistance palestinienne marque également des points sur le plan de la guerre de communication... Un petit jeu amusant consiste à regarder qui obéit ou non, dans la presse internationale, à cette injonction à ne pas diffuser les images des brigades Izeddine al-Qassam. Par exemple, Al-Jazeera en anglais s’abstient, mais pas en arabe ! http://www.aljazeera.net/news/arabic/2018/11/22/%D8%A7%D9%84%D9%82%D8%B3%D8%A7%D9%85-%D8%AD%D9%85%D8%A7%D8%B3-%D8%BA%D8%B)

    #gaza #palestine #clichés_arabes #israël

    https://seenthis.net/messages/737928 via gonzo

  • L’Assemblée Générale de l’ONU vote en faveur de 8 résolutions sur le Palestine
    2M - 17/11/2018 à 12:31

    L’Assemblée générale des Nations unies a voté, ce samedi 17 novembre, en majorité en faveur de huit résolutions sur la Palestine. Il s’agit d’un nouveau soutien de la communauté internationale à la cause palestinienne en dépit des tentatives menées pour l’affaiblir et la contrecarrer.

    L’observateur permanent de la Palestine auprès de l’ONU, Riyad Mansour, a indiqué suite à ce vote que « l’Assemblée générale de l’ONU a voté en faveur de quatre résolutions relatives à l’Office de secours des Nations unies pour les réfugiés de Palestine (UNRWA) et de quatre autres sur les pratiques des forces d’occupation israéliennes dans les territoires palestiniens occupés », a rapporté l’agence Wafa, (Wikalat al-Anba’ al-Falestinya).

    L’agence de presse palestinienne a affirmé d’après Riyad Mansour toujours que ce vote de la communauté internationale est une « preuve du soutien permanent à la cause palestinienne ».

    Ces textes de résolution ont été entérinés par 155 voix pour et 5 contre, à savoir, (Etats-Unis, Canada, Israël, Iles Marshall, Etats fédérés de Micronésie), tandis que 10 pays se sont abstenus (Australie, Cameroun, Côte d’Ivoire, Guatemala, Honduras, Mexique, Palaos, Rwanda, Iles Salomon, Togo).

    Il s’agit, entre autres, des projets de résolution portant sur les « personnes déplacées à la suite des hostilités de juin 1967 et des hostilités qui ont suivi », des « opérations de l’Office de secours et de travaux des Nations unies pour les réfugiés de Palestine dans le Proche-Orient » et « des propriétés des réfugiés de Palestine et leurs revenus ».

    L’Assemblée générale de l’ONU a approuvé, également, un projet de résolution sur « l’applicabilité de la Convention de Genève relative à la protection des personnes civiles en temps de guerre du 12 août 1949, aux territoires palestiniens occupés, y compris El Qods-Est et aux autres territoires arabes occupés » et un projet relatif aux « Travaux du Comité spécial chargé d’enquêter sur les pratiques israéliennes affectant les droits de l’homme du peuple palestinien et des autres Arabes des territoires occupés ».


    https://seenthis.net/messages/736468 via Loutre

  • *Cisjordanie occupée. Quand les colons et l’Etat israélien effacent l’existence d’une communauté bédouine*

    Le 1er octobre 2018 marquait la fin du délai fixé par l’administration civile à la communauté bédouine de Khan al-Ahmar en Cisjordanie pour qu’elle quitte son village. Aucun des habitants n’a démoli sa propre maison, ce qui signifie qu’Israël est désormais, légalement (sic), en mesure de procéder aux évacuations forcées ainsi qu’aux démolitions, y compris de celle de leur école construite avec des pneus.



  • #Jonction_48

    Dans la ville de Lod, banlieue de #Tel-Aviv, cohabitent Israéliens juifs et arabes. #Udi_Aloni s’est intéressé à cette population mélangée malgré toutes les vicissitudes historiques et politiques locales.

    Le héros est un certain Kareem, figure locale du rap, filmé dans son quotidien entre concerts, amourettes, rapports aux parents et débrouille des quartiers populaires. Kareem est joué par Tamer Nafar, authentique rappeur de Lod, alors que beaucoup des seconds rôles sont tenus par ses amis de la scène rap.

    Un ancrage documentaire qui fait le prix de cette chronique nous instruisant que si les gouvernements de la région (singulièrement celui d’Israël) s’entêtent dans un statu quo inique, certains habitants n’attendent pas et vivent au quotidien la paix et la #mixité ethnique, religieuse ou culturelle. Une double #émancipation est ici à l’œuvre : celle de #Juifs et d’Arabes qui vivent ensemble malgré tout et celle d’une jeunesse qui s’affranchit des conservatismes de ses ascendants.

    Jonction 48 rappelle que le cinéma israélien est souvent israélo-palestinien et en première ligne de la contestation de l’ordre établi.


    #film #Israël #musique #rap #arabes #Palestiniens #Palestine #harcèlement #expulsion #absent_présent #humiliations #Lod #coexistence #démolition #patriarcat #conservatisme #present_absentees

    https://seenthis.net/messages/729209 via CDB_77

  • Palestinian shot dead after alleged stabbing attack near Salfit
    Oct. 15, 2018 2:22 P.M. (Updated: Oct. 15, 2018 4:25 P.M.)

    SALFIT (Ma’an) — A Palestinian was shot and killed by Israeli forces, on Monday, after he allegedly attempted to stab Israeli soldiers in the Barkan industrial area, near the illegal Israeli settlement of Ariel near Salfit City in the northern occupied West Bank.

    Hebrew-language news outlets reported Israeli forces opened fire at a Palestinian after he allegedly attempted to stab several Israeli soldiers at the Gitai Avishar Junction.

    Locals identified the identity of the killed Palestinian as Elias Saleh Yassin , 22, from the Bidya village in western Salfit.

    The Israeli army confirmed that no injuries were reported among Israelis.


    https://seenthis.net/messages/729190 via Loutre